Scott blew us away with his stunning Sharpie mural and we knew we wanted to chat further with this brilliant Brit. We also know you do too..
Introducing Scott Davies:
Tell me about yourself! Where are you from? Interests? Likes? Dislikes? Pet Peeves? Give us the good stuff!
Well where do I start! I’m a 17-year-old fine art and graphic design student, studying at Wyke Sixth Form College in Kingston upon Hull, England. Since I was very young I’d always been the ‘kid who did art’ my Dad is a painter and my Mother is a wizard with textiles. The artistic/ creative lives my parents live have definitely been influential on my interests and aspirations, and after maturing, art has become the driving force in how I go about living my life. As a school kid I’d spend countless maths lessons just doodling away, anything that didn’t interest me or I didn’t believe in I’d ignore and I’d just be doing my own thing in my own world, blasting a ballpoint pen with a chewed end or something. I’d often get in trouble, but I didn’t care because I knew what I wanted to do and that there was a place for me to make a contribution to the world if I worked hard enough. Since then I’ve never stopped creating. I’m always drawing something and I feel certain that I want to study an arts-based-course at university (whether that be illustration or fine art) and to then attempt to make a freelance career out of art and illustration.
Off the topic of arts, I love the outdoors; hikes and such. I’d also like to make sure I do plenty of travelling; it’s humbling and inspiring. I need to see the world, and to make a little art along the way of course. [I am] very interested in music, too and it’s my main form of entertainment and I can’t seem to draw the same without tuning in, everything from Four Tet to Sigur Rós, if it matters. And if there’s anything I dislike, its people who just give up on art or show great skills but don’t believe it’s possible for them to make a career out of it, it fills me with pity. I just find it such a shame when people don’t have enough enthusiasm to just give something a shot regardless of what may get in the way. All art is beautiful in its own right and there will always be an audience for something.
What is inspires you to uncap what’s inside?
Things I see every day, personal experience which influences me to make work with relevance to society as it is today. I often find inspiration at the strangest of times so it’s always good to get things onto paper as they appear in your mind. I’m someone that’s probably blessed with a constantly imaginative and active mind which is great when it comes to having something to work from, however it does have its traits such as stressing yourself out over the littlest things and excessively over thinking yadda yadda.
How do you use Sharpie markers in your work?
Sharpie is a very iconic company, and I’ve been exposed to the products because of that. When I was little I used to draw on toy cars with them. But apart from my mural, ‘A warning’ I hadn’t used them in a piece of art before. Because I was aware that the pens would write on almost every surface I knew I needed some Sharpie markers to create an 8-and-a-half-foot illustrative drawing. A lot of my work is created with fine refillable pens and mechanical pencil when working [on a] small scale for the intricacy, so it seemed if I was working scale up I needed a broader tip that would have all the impact that comes with black ink (Sharpie fine point), but that would still be able to give me a delicate and highly detailed outcome. And they worked a treat!
Tell us how you got started with Sharpie?
I had a voucher and I headed to my nearest stationary supplier and picked up three Sharpie Fine Point markers (these covered much of the whole mural) and I started on the board!
You created a HUGE mural using Sharpie, tell us what inspired you to take on a project of such magnum proportions!
My art teacher Jon was aware I wanted to work on a large scale to create a drawing like my small scaled refined drawings, he was given the old photo board of students in 2011/ 12 which he then revealed to me, it left me in shock and perhaps fear. It’s around 8 and a half ft long and a good 3 ft tall, a massive blank canvas made of smooth plastic and I was going to be making a final piece out of it. I knew internally what I wanted to create, something that was an insight as that what I believe will become of the future of society as people become more media driven, brainwashed and subconsciously under control in a situation where there would be no such thing as freedom. The mural itself is titled ‘A warning’ because that’s its intentions.
I didn’t make a single compositional plan for the mural, lots of people told me it was the wrong way to go about doing it and they seemed concerned that I would have problems down the line, but I carried on regardless just crossing my toes (hands too busy) that it would all just come together nicely. It started with a little pencil outline of a burnt out car and developed into a huge miserable inky dreamscape.
It took a total for 5 Sharpie Fine markers with the assistance of a water based felt tipped grey pen for mid tones, which I’d smudge around the Sharpie lines (Sharpie ink unaffected). The Sharpie markers lasted for a very surprising amount of time; each one went a long way. Even pens that had run out I was using for grey tones. The pens never blued out, they stayed black, they were precise, stayed fine for as long as I needed them to be fine and they dried so quickly.
They allowed me to create the result of ‘A Warning’ I highly recommend them for anybody attempting to take on something of similar scale/surface. It took a total of 11 weeks to complete and 5 Sharpie markers (fine point) I’m unsure of hours and I neglected the board for a month to work on other things.
Favorite (or should I say favourite?) Sharpie? Why?
Well so far I’ve only used the classic fine point Sharpie markers but I’ve only recently discovered that Ultra fine point markers actually exist, they’d be a joy to use amongst larger pens!
How would you describe your style?
I’d say something like contemporary illustration, traditional methods. Illustration for me is the bridge between graphic design and fine art; somewhere that seems appropriate for me to rest. I’m definitely a drawer but I would like to master it along with painting. Painting seems like another planet I’m yet to explore, and I’ve barely seen enough of drawing.
How do you decide what you want to tackle next, slash can you tell us what’s next for you!?
With me being a college student it’s all about university prep and I have to prioritize that work over everything else, my topic for my exam unit is ‘Body Language’ so expect some other large board filled based around that topic (potentially with the assistance of Sharpie ultra fine point) I’m currently working on my illustrative coursework final piece for graphics made with pencil, some progress images currently on my page. I’m also filling pages with sketches each day which I occasionally post on my little art page.
If you could have one super power what would it be and why?
Hm, well I did once see someone answer a question like this with ‘The ability to shoot three cotton balls out of your hands every ten days’ I thought that was nice and quirky. But in all seriousness I’d love to be able to pick up any instrument and know the techniques so I could create some weird one man loop machined orchestra, people would so see that.
If you could have dinner with one person, living or dead, who and why?
It’s definitely Rupert Murdoch, to give him a good slap with the mackerel I’d order.
And THAT, ladies and gentlemen is Scott Davies! I hope you all read that interview in a British accent, ( No? just me?) and were as blown away with Scott’s work as we were!
Have another question for Scott? Comment and ask away!